Eyes
It's been three days and Laila is losing hope.
She moves quickly along the corridor, defiantly meeting the eyes of those who
stare at her. If they aren't condemning her for slapping the ship's captain,
they're judging her for her association with Ray and Florian. She's worn so thin
she's not sure what she'll do if anyone confronts her, so she meets their eyes
and keeps moving.
She's not oblivious to the rumors and speculation. Not that long ago she would
have shared some of those scornful opinions about "the Rochefort boy".
Morocco changed that. Morocco changed everything.
She can still picture Ray, slumped against the wall, eyes vacant. She's never
seen him defeated before. Not Ray, the man who was orphaned at such a young age
– younger than Laila herself – and still managed to become one of the wealthiest
aristocrats in France. Not Ray, who she’s seen stand tall and unbowed under the
contemptuous gaze of Parisian society.
Morocco changed him too.
She had watched as he allowed Michel to display him like an exotic animal. She
had held her tongue as the other guests stared and gossiped about him. But when
Michel had dared to mock him, and the rest of the guests just watched as Ray
carried the comatose Florian from the room – that was all that Laila could
stand. She’d be damned if she'd take back any of the angry words she said to
Michel then, or if she'd apologize for slapping him.
She’d tried to warn Ray – to let him know what she’d done and to make him
understand that he didn’t have to shield her from the repercussions. But she has
known Ray for years, and she knows that he’ll protect her, even at risk to
himself. Just like he’s protecting Florian.
It embarrasses her now, to remember her jealousy and her harsh words to Florian.
She had been so afraid of the light she saw in Ray’s eyes when he looked at
Florian that she had forgotten herself. She had forgotten that Ray’s happiness
truly was her own, even if he found that happiness with someone else.
She has known all along that Ray would find someone else, someone of his social
class. She told herself that she was prepared for it – that she would be happy
and supportive of her dearest friend. But as soon as she saw Florian she knew
she’d been lying. Ray adored beautiful things, and Florian was a living work of
art.
Strangely, it was the first time Ray took Florian to the cellar and had him
whipped that proved her correct. She had watched as Ray carried the unconscious
Florian up two flights of stairs to the blond’s room. The look on Ray’s face
almost broke her heart. She knew then that he’d never hold her; that he'd never
wear that expression for her.
She’d tried to win Ray back – although she never really had him to begin with.
Like a fool she threw herself at him. It made it all the worse that he was so
gentle and forgiving.
If she had had any pride, any sense of self-worth, she would have left Ray then.
He would have made sure she had enough money, somewhere to stay and a good job.
She wondered if someday his kindness would break her heart for real.
She has the answer to that now – the memory of Ray’s vacant stare – and she
understands a little better her role in his life. His and Florian's, she
supposes. Ray needs her there, like a sister, to support him, to laugh with him
and to keep him from ever wearing that vacant expression again.
At the moment, that means helping to restore Florian. Perhaps it will always
involve Florian in some way. She’s not going to question it. Ray needs her to be
practical and clever, and she can easily do both.
Right now she’s going to arrange the lunch trays and fetch more towels. Then
she’s going to make sure Ray eats and rests. She’ll deal with the rest of the
details later.
+++++
The cabin is quiet when she returns. Florian is on the bed, still
unresponsive, staring into the distance while Ray sits beside him in the same
position as when she left. Ray's eyes are closed and he’s stroking the palm of
Florian’s hand lightly, barely touching him.
Laila sets the towels down and fills a basin with lukewarm water. Briskly she
gathers soap, a wash cloth and fresh set of clothes - courtesy of Michel - for
Florian. She murmurs nonsense as she lowers the blankets to his waist and
unbuttons his shirt. The fabric is damp with sweat and she's grateful for Ray's
assistance when he pulls Florian into a sitting position and helps her remove
the garment.
Using a sing-song tone, she tells him about the things she's seen on the ship
while she washes him. Ray takes up the towel and dries him with soft movements,
just as he has each time she's washed and changed Florian since they arrived
onboard this ship.
Ray covers his hands with the soft towel, worried about letting his rough skin
touch Florian's tender skin - afraid that he'll fracture him even more. Laila
averts her eyes and pretends she doesn't see.
They're just lying Florian down again when someone knocks on the door and Laila
leaves the washing items to answer it. She's expecting the meal she ordered and
finds an empty-handed porter instead.
"Apologies for disturbing you, Miss. The Captain requests a meeting with Count
Courland immediately. I've come to escort him."
Laila's running through her polite society approved versions of "no way in hell"
for a response when Ray gently moves her aside and motions for the man to lead
on. Laila knows he's cooperating to keep Michel away from Florian, but she still
doesn't like it.
She likes it even less a short time later when Ray still isn't back and Florian
starts to scream. He's raging through the room, upsetting a table and chair and
scattering bric-a-brac, his eyes seeing something visible only to him.
She panics for a moment, then dashes out into the corridor in search of Ray. She
half-drags him as she explains herself then steps back and lets him go.
They're nearly too late.
Florian's running - desperate or terrified - she's not sure it makes a
difference which. Ray gives chase but his desperation is different and he nearly
doesn't catch him in time.
Florian's half over the rail when Ray lunges and manages to catch him. They both
crash to the deck.
Florian cries out in despair and covers his face, his fear so raw that it makes
Laila shudder. It's the proof she doesn't want and an intimate secret she's now
forced to share.
Ray pulls Florian up, clearly aware of all the eyes watching them. He doesn't
meet any of them, but Laila does and she continues to do so as Ray half carries
a shattered Florian back to their cabin.
Laila casts a silent curse out over all of those greedy, hostile eyes as she
descends into the ship. May each and every one of them know what it feels like
to see themselves reflected back in a loved one's vacant eyes.
::end::
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